Toronto, Ontario, Canada emcee Daniel Son with his 9th proper full-length album. A member of the Brown Bag Money collective, his profile began to rapidly increase in the underground off projects like the Giallo Point-produced debut mixtape The Gunners or the Futurewave-produced sophomore album Yenaldooshi. He just teamed up with Raz Fresco this spring for the spectacular collab album Northside paying homage to the roots of the Toronto hip hop scene & a few months after reuniting with Futurewave for the first time since Son Tzu & the Wav.God on Bushman Bodega over the summer & the Finn-produced Hare Brained Schemes a few months later. However, he & Futurewave are looking to make some Baggage Claims.

The title track is this grisly boom bap intro assuring shit ain’t always glamorous on his end & showing everyone the progression whereas “Sweet Peppers” soulfully wastes no time whatsoever to reach the penthouse views he desires. “French River” keeps it in the basement instrumentally venting over the visions he’s had ingrained in his mind as of late just before “Euthanize” featuring al.divino refuses to stop the bread income all because of hits getting put out.

“How It Goes” suggests over a flute-tinged boom bap beat to go the way it already is nowadays cheffing up the product & serving it leading into “1973” featuring Raspy teaming up for a lullaby dedicated to everyone laying their heads in the street. “Bleed the Shark” ruggedly explains that he can catch a rat from him being all the way in the field refining his chef skills at night, but then “The Fume” featuring Bito Slime cloudily yet rawly talks about moving in rare fashion.

Meanwhile on “Cold Chicken”, we have Daniel over a drumless instrumental talking about dying for what’s his & acknowledging the old fashioned tendencies he shares while “Need More Paper” returns to the boom bap expresses the necessity of making his bread stack up continuously higher. “Baylor” kicks the horns out trying to make it known to this girl he’s seeing that all he knows is the filth while “Fly the Pigeon” featuring King Bliss gives the finger to the entire world.

al.divino comes back with Asun Eastwood for the dusty “Sun Lo” talking about never peaking & making sure their competition never eats again while “Crushed Stones” hooks up a vocal flip experiencing the same shit others warned him he’d experience in the rap game. “Sweet & Sour Duck” strips the drums learning to keep his mouth closed at an early age while “Run the Shop” featuring Recognize Ali finds the duo wanting to be loved for their ambition.

The jazzy “Pin Stripe” featuring Asun Eastwood feels reminiscent of the previous collaborative efforts Psychics of Filth & Bite the Bullet promises that everything they’re saying shouldn’t be taken in a metaphorical sense by any means while “Villains” talks about pushing coke. “Regular” concludes Baggage Claims on a rawly vintage note teasing more music with Futurewave to come since they’ve been cooking normally as of late.

Commemorating the 7-year anniversary of Pressure Cooker earlier this month, the Brown Bag Money standout & his go-to producer unearth 18 outtakes that were made during those sessions & compile them into a sequel of it’s own sounding like they recorded it recently. I can very much tell that Futurewave’s boom bap production was recorded during that era, except that & Daniel Son’s pen make an exciting throwback to their dual breakthrough.

Score: 8/10