It wouldn’t be 4/20 without a new offering from Long Beach, California’s own Daz Dillinger. With a career spanning nearly three decades, the rapper, producer, and songwriter has consistently delivered, and his 25th studio LP, Mo’ Weed 4 Sale, arrives as his most refined effort in this specific lane to date.

Daz’s pedigree is undeniable. From his early days as an in-house producer at Death Row Records under the tutelage of Dr. Dre to forming the legendary Tha Dogg Pound with Kurupt, he has been a cornerstone of West Coast hip-hop. Following a prolific run that included Retaliation, Revenge & Get Back 2 and Retaliation, Revenge & Get Back 3, Daz has clearly found a renewed sense of creative clarity. While his previous work like Rowtation offered deep introspection, Mo’ Weed 4 Sale serves as a focused, high-energy celebration of his signature sound.

A Deep Dive into the Production

The album opens with the self-produced title track, a cheerful, infectious introduction that sets the tone for the project. Daz balances lighthearted themes with his trademark production style. Tracks like “Don’t Fucc Up My High” provide a chilled-out, atmospheric experience, while “Why U Wanna Smoke with Me For?” leans into soulful trap influences, showcasing Daz’s ability to evolve his sound while maintaining his roots.

The middle section of the album features “She Don’t Smoke,” a smooth transition that leads into the more experimental “How Bad U Wanna Smoke?” While the latter leans into cloud and pop-rap aesthetics, it serves as a romantic narrative arc within the project. “Mota” quickly brings the energy back, highlighting the technical prowess Daz still possesses behind the boards.

The Legacy of a West Coast Icon

As the album rounds out with “American Weed” and the closing track “‘Til I Pass Out,” it becomes clear that Daz is operating at a high level. The production is crisp, and the G-funk undertones provide a nostalgic yet modern backdrop for his lyrical exploration of cannabis culture. In a recent interview, Daz addressed his complicated history with Snoop Dogg and the shifting landscape of the Death Row catalog, but he remains focused on his own output. Mo’ Weed 4 Sale comfortably surpasses his previous weed-themed projects, Weed Money and Smoke Me Out, proving that his production remains as sharp as ever.

With upcoming production work slated for The LOX and Smif-n-Wessun, Daz Dillinger continues to prove why he is one of the most underappreciated architects of the genre. Mo’ Weed 4 Sale is a testament to his longevity and his unwavering commitment to his craft.

Score: 6/10