Ouija Macc has firmly established himself as a prolific force in the underground scene, and his latest release, Sixela, marks his second studio LP of 2026 and his 11th overall. Since his breakout after signing with Psychopathic Records—following his independent debut Trashfire nearly a decade ago—the Las Vegas emcee has maintained an unrelenting pace. With a discography spanning ten full-lengths, multiple mixtapes, and EPs, he has proven to be the most consistent solo act under the hatchet. Now operating through his own label, Chapter 17 Records, Ouija Macc continues to evolve his sound, this time enlisting Flexatelli to handle full production duties on Sixela.

The album opens with “Sixela Legna,” a sinister trap-infused introduction that sets a dark tone as Ouija explores themes of mental instability. This transitions into the third single, “Zombie Walkin’,” which leans into his signature aggressive style. The project continues to experiment with genre-blending, most notably on the lead single “Phonky Phonky Sh17,” where he masterfully infuses horrorcore lyricism with a distinct phonk aesthetic.

Throughout the tracklist, the production remains a highlight. Tracks like “Kerosine Flex” see the Chapter 17 CEO returning to a hard-hitting trap sound, while “Corpse Boy” serves as a standout moment, showcasing his prowess as a calculated lyricist. The album’s narrative depth is further explored on “That Dust,” which reflects on his upbringing in the deserts of Sin City, and “Murda Mission,” a track dedicated to the darker side of his persona. As the album progresses, “Sally Mander” offers a surprising nod to Death Grips, while “God’s Ashtray” invites listeners to contemplate their own interpretations of the afterlife.

The latter half of the project balances introspection with bravado. “Internal Monologue” provides a raw look at suicide ideation, while “Demon Juggalo” and “Calculator” reinforce his status as a dominant force in the scene. The album concludes with “Elote,” a poignant outro where Ouija reflects on fatherhood and the passage of time. While Devereaux has long been the architect of the Ouija Macc sound, the collaboration with Flexatelli provides a refreshing change of pace that complements the artist’s wicked lyricism perfectly.

Score: 7/10