Hollywood, California rapper and entrepreneur Wakko the Kidd has been steadily building his brand since his 2018 debut single, “Multiple Racks.” Following his foray into the cannabis industry with his Airheadz strain and his subsequent signing to Psychopathic Records, the artist has become a staple at major events like the Gathering of the Juggalos. After releasing his full-length debut In Airheadz We Trust and The Kidd That Did, anticipation for his sophomore effort, Infinity, reached a fever pitch, particularly due to the news that MIKE SUMMERS, professionally known as Seven, would be handling the production duties entirely.

The album wastes no time setting a tone. After the intro, “17 Dead” pays homage to the Insane Clown Posse track of the same name, leading into the boom-bap-infused “For the Haters,” which features a guest appearance from Esham. The track serves as a defiant message to those who have doubted the artist’s trajectory. The project continues to shift gears with the trap-influenced “Why,” an introspective look at external blame, followed by “Chasing Shadows,” featuring Brotha Lynch Hung, which tackles themes of jealousy.

The second half of Infinity finds the artist digging deeper into his personal narrative. “Dark Skies” highlights his unwavering loyalty to Violent J and the Juggalo Championship Wrestling (JCW) organization, acknowledging the support he received when he was first starting out. Tracks like “Mirage (High All the Time)” and “Don’t Let Me Down” showcase a more vulnerable side of the artist, while the closing track, “Save My Life,” provides a harrowing reflection on a near-death experience.

While his previous projects established why Psychopathic Records saw potential in him, Infinity is the definitive project that silences his critics. The production upgrade provided by Seven is palpable, and the focused, concise nature of the album allows Wakko the Kidd to shine as a performer. It is a significant step forward for the West Coast artist.

Score: 8/10