BRODIE’ s latest releases are a powerful reminder of his versatility as an artist. His two new tracks, “Thursday (Worst Way)” and “Took Off in a Mercedes,” are a dynamic fusion of rhythm, energy, and unfiltered emotion. The artist from Wilmington, Massachusetts, known for his blend of rap, R&B, and alternative pop, turns up the heat with these high-octane singles, both of which demand attention and movement.

“Thursday (Worst Way)” is a rhythmic masterpiece that balances introspection with groove. The track opens with a bouncy beat that catches the ear instantly, setting the stage for BRODIE’s distinctive fusion of rap, catchy hooks, and alternative pop. Lyrically, it’s a track about the frustrations of life’s chaotic moments, but the infectious rhythm keeps the song moving forward. The combination of catchy beats and reflective lyricism gives it a dynamic flow that doesn’t let up, keeping listeners hooked and moving throughout.

On the other hand, “Took Off in a Mercedes” takes the energy even higher. The track is a full-on dance anthem, driven by an upbeat tempo and a pulsing rhythm that practically demands you hit the dancefloor. BRODIE’s lyrics here offer a narrative of a wild night out, but it’s his ability to tie that high-energy feeling with introspective moments that sets the song apart. Yet, the track doesn’t slow down—it builds and intensifies with every beat, making it perfect for anyone looking to let loose. The driving rhythm and the catchy refrain make it a standout track that will keep you moving from start to finish.

These two songs are a testament to BRODIE’s musical range. “Thursday (Worst Way)” leans into rhythmic rap with an infectious groove, while “Took Off in a Mercedes” takes that energy to a more upbeat, celebratory place. Both tracks feature a mix of vulnerability and danceable beats that capture the essence of contemporary music.

BRODIE’s previous release, “Now That I Miss You,” delved into raw emotion and introspection, but these two new songs reveal a different side of him—one that’s unafraid to take risks and inject a whole lot of rhythm into his sound.